Orson Welles :: essays research papers

Orson rise up&type A9Orson rise up was an actor, producer, director, writer, and columnist who revolutionized the film effort by directing movies that depicted men and wo human beings as sincere human beings. Throughout his writing career, Welles characters resounded his let personality and shake up others to write about human struggles, both good and bad. An innovative, dynamic individual, Welles spent his entire life experimenting with different mediums and bringing to the world his mickle of mans never ending struggle to conquer his own versed demons. Welles was a man whose life was one of paradox. His films reflected his inner conflicts and his attempt to assuage the two extremes of his own existence.& deoxyadenosine monophosphate9"For xxx years people have been asking me how I reconcile X with Y & adenylic acid9& adenosine monophosphate9The truthful retort is that I dont. Everything about me is a &9&9&9contradiction and so is everything about everybody e lse. We are make &9&9out of oppositions we live amidst two poles. There is a philistine and &9&9an aesthete in all of us, and a murderer and a saint. You dont reconcile &9the poles. You just recognize them." To Kennety Tynan, 1967&9Orson Welles is often referred to as a &quotRenaissance man&quot, an individual whos ambitious and concerned with revolutionizing multiple aspects of life. He was a prolific writer and talented actor who often appeared in his own productions. A gifted artist, Welles, coupled his abundant energy with an vehemence for life. He tried everything and was not afraid to take risks and to suffer the consequences of failures as well as the acclaims of success.&9While, some critics say that Welles could never top &quotCitizen Kane&quot, such movies as &quotThe Trial&quot, &quotTouch of Evil&quot, and &quotThe Lady from Shanghai&quot are considered classics and monumental feats in flick production. However, m ovies like &quotThe Stranger&quot, &quotChimes at Midnights&quot, and &quotMr. Arkadin&quot were criticized as being &quotOne-Man border&quot shows where Welles glorified and engrandized himself.&9Welles films reflect his ambivalent vision of life. He organized the Mercury Theater as the result of a feud with the Federal Theater Project after its attempt to sensor his work. Welles refused to bow to their demands to make his pro-labor play, The Cradle forget Rock, less political. Throughout the rest of his life, he preferred ostracism to compromise and often endured ridicule and condemnation rather than give in to the demands of those in authority.&9Welles utilizes very distinctive images that are profligate and dynamic to convey his unique prospective.