Paper on: Eternal Sunshine of the Spotless Mind

Paper on Eternal temperateness of the clear melodic theme Mr. Gordon Jesse Jonathon 12/3/2012 1)Neorealism was a movement in take production that emerged out of the act World War in Italy. The pommel of Italian fascism led to the crushing of the Italian exact industry. Before the war, Italy had produced commercialised studio fare. Economic decline abide-war and the occupation by Ameri thunder mug forces did not entirelyow for the continuation of the production of commercial studio fare. The studios, post-war, were used as refugee camps and as storage facilities for occupying militaries.The war ravaged landscapes of Italy provided the only available backcloth to the new take ups being produced, since the studios were nearly unavailable for use by considermakers. due to the war torn backdrops of these new films, it created the need to film about contemporary realities. The lower budgets, limited resources, and filming on location lead to the game reality look of this ne w film style. Neorealism in film is unremarkably described and seen as a film that was filmed on a location, rather than in a studio setting only a film that demonstrates authenticity, and often seen with rejecting classical hollywood acting styles.To sum up the generalization of neorealism, it is a realistic representation of lifetime. Roberto Rossellini is credited to making the scratch neorealism film and the most important neorealism film. His head start film was Rome, open city, this is the first neorealism film. It is considered a neorealistic film because of its demonstration of the gritty real life slimy of the Italians during the second World War. Rossellinis second film was Paisa, this was one of the most important neorealistic films.It is a neorealism film because its shows six stories through out the second World War with narration providing the setting of the time and place in history. The second most important neorealist filmmaker was Vittorio De Sica. His film Bi cycle Thieves is seen as one of the most famous neorealism films. It is a neorealism film because the star was a non-actor. The film was full of real people conveying real life. The film critic Roger Ebert does not consider Eternal Sunshine of the Spotless Mind a neorealism film. Ebert stated that the movie was like an endless series of aborted MeetCutes. . This is a main reason why Ebert says it is not a neorealism film. Traditionally neorealism films rescind using classical hollywood acting techniques like meet cutes. This film seems to be a series of meet cutes that never quite have it off to a conclusion. Ebert considers this movie an extreme example of inner ear moving picture. 2)There are divers(prenominal) forms of levels, some of which are the Linear Narrative, Non-Linear Narrative, inner ear Cinema, and Hyperlink Cinema. A elongate narrative is a story in which it starts at the beginning goes through the middle(a) to the end, in a linear pattern.Around the World i n 80 days is an example of a linear narrative because of its progression from point A to point B to point C in a linear fashion. A non-linear narrative is when a story is pieced together throughout the movie. This font of film ranges to jump from one scene to the next in a non sequential order. Hunt for Red October is a classic example of a non-linear narrative due to its flashbacks and multiple story line progression. A Maze Cinema is a film with multiple interconnecting stories or pathways, creating a inner ear effect.Eternal Sunshine of the Spotless Mind is an example of a maze cinema due to its multiple pathways and character stories within the main story itself. A hyperlink cinema is a movie made up of many individual stories that are linked by one small common thread. dissolve is an example of a hyperlink cinema because of the idea of the 6 degrees of separation. Linear and non-linear narratives can be grouped in the sense that they are a more than traditional overture . Maze and hyperlink cinema take the more creative approach to film making.Roger Ebert referred to Eternal Sunshine of the Spotless Mind as a radical example of Maze Cinema, because this movie is the epitome of maze cinema. This movie has the many stories woven into one larger overlaying story. 3)Mike LaSalle, from the San Francisco Chronicle, was quoted as aspect Eternal Sunshine of the Spotless Mind is not about how drive in conquers all but about how people can be faint-hearted and foolish and waste their lives on stupid, destructive relationships. Its a dusty movie about love that was meant to be cold. LaSalles find outs tend to be on the opposite scale of the more mainstream opinion.The majority, according to my research of film critiques, is that most see this film as a romantic movie. These critiques all seem to repeat the same opinion, that love transcends all and conquers all. LaSalle makes the case that this is alone not true. LaSalle strikes hard in his critique by showing the preference side to the film. He states that it is a cold love story in which there is lack of emotion and one feels like the love life is set on repeat. LaSalle sets the stage for our minds to explore the new found view point that this story cleverly outlines the never ending track of repeat mistakes in ones love life.LaSalles opposition takes the hard fast post against the idea that this movie outlines the failure of love due to repeated mistakes. They tend to see it as the stone walls in which a lover must climb in order to find and gain ones true love. sometimes mistakes are needed to be repeated until you can conquer them. LaSalle challenges this by giving us his critique in such a personal manner as to eloquently dispute the claim of his opponents. Works Cited Ebert, Roger. (2004). Eternal Sunshine of the Spotless Mind. LaSalle, Mick. (2004). San Francisco Chronicle.